Firstly, I'd like to say that I love your web comic. You've got such a refreshing style; it's nice to see someone try something a little different than doing another Furthia High line drawing comic.
Only....
One of the things I'm finding I love about doing comics is that because it takes so long to tell a story, I'll never run out of story to tell.
Wow. We're going to be very much opposites here, I can tell.
But, onto the story.
I don't read many werewolf stories, and I read fewer mystery stories, so this one is very new for me. The opening seemed to remind me of "Thriller", for some reason. I guess the whole werewolf...going to a movie theme just resonated in my mind like that.
I love your two main characters, Felan and Flint. Because they're such opposites, it's easy to pick which one you're personally rooting for (not that they're competing, or anything.
). However, what really makes the story is that you're not afraid to involve the werewolf in the plot, too. In this situation, the werewolf is the werewolf...it does what it does. However, don't be afraid to delve a bit deeper into his/its mind, because he and his story is just as/if not more important than the two detectives.
The character background on what happened to Jason and the alchemist during the lycanthropic curse is very nice. However, it could use...transitions. It would be nice if they blended into the story better. What I mean by this, is, kind of like, "Character A saw object X. His eyes glazed over it, but he quickly moved on. (New paragraph) Object X was a crucial part of Character B's life as he..."
Something like that. You'll know how to transition better than I can. But by transitioning, you can give the story a sense of...oneness, as opposed to being two stories being told simultaneously. (Or, character traits created in the backdrop become revealed in the main story, or...I'll stop my ideaing for now.)
Great story so far, and welcome to our forum!